Showing posts with label Plasma art. Show all posts
Showing posts with label Plasma art. Show all posts

Saturday

“Plasma Nation” Bay Area Artist’s ignite the 4th state of matter

Art can be dangerous, a group show of plasma & neon sculptors.



Plasma ArtNeonPlasma Head
Show runs through January 10th, 2009
Closing Party with DJ Billy spinning and free plasma educational presentation by Ed Kirshner
Party January 10th, 6-9pm

Plasma sculpture presentation 7:30-8pm
  
Bay Area plasma & neon sculptors offer a tasty array, of the 4th state of matter. Plasma is a rare and highly experimental art form. Using high voltage transformers, hand blown or found glass, these artists capture not only our imagination, but hold hostage and manipulate noble gasses to create contained kinetic magic.

What is plasma?

Plasma is commonly described in nature as the fourth state of matter and is also known as the most widespread phenomena in the universe. Plasma typically takes the form of neutral gas-like clouds (e.g. stars, and our sun). It is considered distinct from other lower-energy states of matter; most commonly solids, liquids and gas, although it is closely related to the gas phase in that it also has no definite form or volume.

Plasma rarely occurs naturally on earth, and when it does, its effects are visually and energetically dramatic. Lightning storms are one example, another is the Aurora Borealis or Northern Lights, seen as energy pours into earth’s atmosphere.

Plasmas have only recently been incorporated into a variety of sculptural art forms using plasma ionization by high frequency electrical current. In this way creating illuminated sculptures that have the ability to display a visual lighting effect of movement and colors found in no other medium. Although this technology is considered cutting edge, and in its infancy, much has been learned to be able to control specific and desired effects. Yet, it is likely that there is still much yet to be discovered.

Plasma Nation Artists include:

Norman Moore
“My sculpture uses various materials in combination with light to create a physical poetry borne out of urban experience. I am interested in the metaphors light and shadow evoke such as life, death, enlightenment, blood, distraction and lust. I am always looking for the story behind objects and finding meaning in forms. Walking in twilight, I see light splashing and reflecting in odd locations that spark my imagination.  The unexpected relationship of light coloring an object changes my perception of the world”

Ed KirshnerEd Kirshner
“Like Dr. Frankenstein in his lab, I hover over my glass and gas plasma work, spending many hours mixing, balancing and fine-tuning. Still, the plasma light behaves in a way that I can never completely control. I can change or direct its behavior by varying the pressure and mix of gases, or the frequency and the voltage of the power, but I can never fully predict the detailed effects any of my actions will have. Though frustrating at times, this unpredictability is at the very heart of my work. This is the personality, the mystery, the life that I try to create in my sculpture” www.aurorasculpture.com.
* Ed will be teaching the free educational plasma presentation on January 10th 2009.

Michael Pargett
Is Co-Curator on this exhibit. Pargett enjoys the paradox between the high energy that creates the illumination, and the slow, sensual movement of the gas mixtures that can be achieved to present a visual experience that is as compelling as it is hard to describe.  His expressions are at times humorous and at others inspired by a desire to honor the basic elements of the gasses themselves. During the filling portion of the creative process, he attempts to allow the gases themselves to express how they would like to manifest within the glass. “They feel as though they have something to communicate, this medium perhaps gives them a unique opportunity!” www.theartelectrique.com

Bill Concannon
Concannon has been working with neon since 1973. In 1975 he started his own neon studio, Aargon Neon, making neon sign props and special effects neon for the motion picture industry, as well as commercial neon signs and his sculpture. Bill has worked as an instructor teaching neon sculpture at the Academy of Art University in San Francisco and the Pilchuck Glass School just north of Seattle. His sculpture has been shown nationally and internationally since 1977. This past June, Bill was invited to present his lecture, “Glass Graphics: The Joy of Signs,” to the Glass Art Society Conference in Portland, OR. www.aargon-neon.com.

David Hollister
Hollister is a woodworker and sculptor who has lived and worked in the San Francisco Bay Area since 1996. His furniture and sculptures have been shown throughout the Bay Area. “I graduated from Washington University in St. Louis.  While in school I discovered my affinity for design and took the opportunity to study furniture and lighting on my way to a degree in architecture.  After a period spent working in construction and traveling, I left architecture.    While visiting many of the structures I had studied in school, I realized that I felt less of a connection to the buildings than I did to the furnishings and art. In addition to my artistic pursuits, I am the wood shop technician at the Crucible in Oakland.  I work primarily in wood and light, but have also created pieces using stone, metal, and plastics.”

Ken Herrick
 “I’m fourth in a five-generation line of artists, but the art-gene, so to speak, expressed itself late.  Only at age 35 or so did I start making art, although from my earliest days I’ve been a maker of “things" of one sort or another. I completed my first artwork, an interactive kinetic one, in the early ‘70s.  Since then I've made other kinetic works, most of them interactive.  In the '80s I got into incorporating neon in my work, going so far as to secure several patents on, and license for manufacture, a neon effect I called “Neon Bubbles”.  I've derived little income from the art, or from the Bubbles for that matter, but such is life and such is art...”

Allison F. Walton
Curator, and co-owner of the FLOAT Gallery, Walton has been a lifelong artist and collector She will be displaying a xenon plasma robot head that is still awaiting a body. www.plasmasculpture.blogspot.com

About the opening party music:

Outlaw DervishOutlaw Dervish is World Lounge Music with Soul! Enjoy the stylings of Didjeridu Trip Hop, leaning into Deep Chill and Ambient sound with an Electro-Acoustic tint, immersed in sweet melodies and infectious rhythms. The group features Travis Wernet and Special Guests. www.cdbaby.com/cd/outlawdervish


About the painter:

Sally RodriguezSally Rodriguez began painting in 2003 while living in Missoula, Montana, she is entirely self taught, and works in a wide variety of painting styles and mediums. Her work creates an ethereal experience filled with colorful characters and festive vibrancy.

Educated at the University of California Santa Cruz she holds a Bachelors degree in Women's Studies, with a minor in Latin American History.  Rodriguez, then 36 found artistic expression so powerful, that she has continued to explore reality through the ans of color, texture, and form.  Presently she works full time as an artist and a teacher. http://thefloatcenter.com/archive_415_515.html#gods
This exhibit is in partnership with:
The Crucible

“Material Evidence” Mixed media work of Peter Boyer, and Master Plasma sculptor Ed Kirshner

Closing Party March 15th 2008, 6-9pm
Closing night will showcase a live performance by Oakland reed renegade Cornelius Boots

Material Evidnce Plasma JellyfishJellyfish plasma

Enter a world were materials come alive in an inspiring array of elements, both elegant and serene these masters of design transform materials designed for constructing buildings, into creations that seem to take on a life of their own.

Included in the display are the compellation plasma jellyfish sculptures by Ed Kirshner
and Bernd Weinmayer, a master flame worker from Austria www.weinmayer.at

peter BoyerPeter Boyer


Boyer's art deals with physical and material elements. He builds paintings by successive applications and deletions of various materials: canvas, muslin, linen, paint, gesso, charcoal and graphite. His is a process of working and reworking the surface by tearing off and reapplying his materials until the work attains what he has described as "presence".
Peter Boyer was born in New York in 1948, moving to the West Coast with his family in 1960. He studied art in California and Oregon, receiving his BA from San Francisco State University in 1977. He also studied architecture at The Southern California Institute of Architecture. Boyer operated a small design/build business in the 1970's, which acquainted him with the materials and techniques of building construction. Much of this knowledge has been applied to the process he follows in creating his mixed media works. www.peterboyer.com
Ed Kirshner
Artist statement:
Ed KirshnerLike Dr. Frankenstein in his lab, I hover over my glass and gas plasma work, spending many hours mixing, balancing and fine-tuning. Still, the plasma light behaves in a way that I can never completely control. I can change or direct its behavior by varying the pressure and mix of gases, or the frequency and the voltage of the power, but I can never fully predict the detailed effects any of my actions will have. Though frustrating at times, this unpredictability is at the very heart of my work. This is the personality, the mystery, the life that I try to create in my sculpture.
Ed Kirshner of Oakland, California was born in New York City in 1940.  He studied architecture and sculpture at Cornell University, the University of California at Berkeley and the Oskar Kokoschka School of Vision in Austria.  After thirty years of developing and financing affordable housing, he returned to study art at the California College of the Arts in Oakland as well as at Pilchuck and Corning glass schools and Northlands Creative Glass in Scotland.  His glass and gas plasma sculptures have been exhibited throughout the U.S. as well as in Taiwan, Japan, Australia, Austria, France and Turkey. His work, “Cone of Chaos”, was a Corning Glass selection in 2000 and is included in Corning's recent book "25 Years of New Glass Review."  His piece, "Java High," was a recent acquisition of the di Rosa Fine Arts Preserve in Napa, California.  Ed has taught glass and gas plasma workshops in the U.S. as well as in Asia and Europe and is on the faculty of The Crucible Fire Arts School in Oakland and the Glass Furnace in Turkey.  He is also a Trustee and the Treasurer of the Museum of Neon Art (MONA) in Los Angeleswww.aurorasculpture.com
Cornelius Boots
Closing night will showcase a live performance by Oakland reed renegade Cornelius Boots. A progressive rock composer, bass clarinet performance specialist, wu wei woodwind instructor and Zen flutist. Founder of Edmund Welles. Boots is currently undertaking more large-scale, primordial, avant-orchestral compositions. Recent pieces include a commission by Chamber Music America and Yerba Buena Center for the Arts. 
The live performance for Material Evidence will reflect the elements of earthiness, experimentalism, and unpredictability found in the artwork.  A primarily improvised ambient set which will combine the usage of the robot bass clarinet—an amplified, effected, mutated bass clarinet—and the sounds of the mendicant bamboo flute-playingcharacter "Shunyata Wu-xi" (wizard of the void), utilizing shakuhachi and staff flutes in addition to tape loops, and voice to create minimalist industrial-new age and existential blues. www.corneliusboots.com, www.edmundwelles.com
Jelly

Inside Out New works by painter Cheryl Finfrock, and plasma sculptor Michael Pargett

Opening Artist Reception, Sept 15th 6-9pm
Show runs through October 16th, 2007


Cheryl Finfrockinside outinside outinside out

"Inside Out" is the expression of dreams illuminated by an explosion of color. Painter Cheryl Finfrock explores archetypes and dream mythology through psychedelic animal imagery. Her work is a tantalizing escape into the depths of dreams, populated by a highly entertaining and sometimes disturbing array of bizarre creatures. Her powerful use of color makes these images unforgettable.
 
Illuminating the show is the work of plasma sculptor Michael Pargett, who is fascinated by the interactions between high voltage electricity and noble gas mixtures. His glass and plasma sculptures are but one reflection of that fascination. His work "Art Electrique" is a playful combination of geometrically beautiful pieces with a pinch of Meet the Jetsons.
 
Cheryl Finfrock
 
"Dreams inspire my work. Images ranging from public domain icons to archaic glyphs fascinate me.

With high voltage colors I search for a visual language of universal archetypes. The creation and deconstruction of this language occurs through the physical act of painting. In my recent work, color, texture, and layering become the psychology of expression. Fauvism, Expressionism, Abstract Expressionism, and Carl Jung influence me. Specific influences are Edvard Munch, James Ensor, Georges Rouault, Rainer Fetting, the COBRA painters and Jean-Michel Basquiat."

 - Cheryl Finfrock
 
Cheryl Finfrock's paintings are highly recognized in national and international collections and have been featured in several publications and television programs, including CURVE magazine. Recent exhibits include New York City, San Francisco, Berlin, Paris, Copenhagen, Olmouc, and Sophia.
 
Finfrock a trained welder and sculptor, has found her forte in painting. She is a favorite in the collection of the FLOAT owners, and recently left the bay area to live in Austin Texas. Please join us for her return in this, not to be missed event.
www.Cheryl Finfrock.com


Michael Pargett

Michael PargettPlasma art Pargett enjoys the paradox between the high energy that creates the illumination, and the slow, sensual movement of the gas mixtures that can be achieved to present a visual experience that is as compelling as it is hard to describe.  His expressions are at times humorous and at others inspired by a desire to honor the basic elements of the gasses themselves. During the filling portion of the creative process, he attempts to allow the gases themselves to express how they would like to manifest within the glass. “They feel as though they have something to say, if I only knew how to listen consistently” - Michael Pargett

Pargett’s background is in Electrical Engineering, Construction, and Electronics. He has worked in the Film Industry, in Commercial Lighting Design, and in Medical Imaging Equipment Installations. He also creates illuminated sculptures using standard neon tubing. Starting in 1996, he learned neon tube bending from Ron Carlson, at the University of California San Diego Crafts Center. He has also volunteers at The Crucible in Oakland, using his electrical experience to assist in the continuing installation of equipment.